I have learnt, through my artworks, what it is like to be naked even though I may be wearing clothes. I have learnt to let whatever was meant to be said through me, to be said through me, even if it tears up my skin and makes it bleed with the force with which it gushes through. I have learnt that I have a voice, and I must make it heard.

My art practice, thus, explores identity - both as an internal reality of being a survivor and artist, and living within an external world that is as wondrous as it is ruthless. The body is the most tangible clothing in closest proximity to the intangible soul. And so, I explore ideas of the self and story through the medium of the body - by way of performance art and deeply visceral installations, self-portraiture, and video art. It would not be wrong to state that my body of work, is a work of the body. My aim is not to hide myself away behind a shell of safety, but to develop so much inner strength, that I can be vulnerable in front of the whole wide world.

Themes that my art practice is concerned with are purpose, meaning, and expressing unspeakable truths. My art practice is less about the experience and battles with mental health and a difficult personal history, and more about the universal human condition. My wish is to be an example of a kind, empathetic, grateful person leading life successfully as an artist, despite the difficulties. I see my life as my greatest work of art - all tangible artworks are just evidence left along the way. 

Through my art, I want to hold hands with everyone who is struggling, and even if people’s eyes tear up while experiencing my performances, as they often do, I hope that the very same people feel held and less alone.

As Maya Angelou once said, every time a woman stands up for herself, she stands up for all women. I wish to be one such woman. One such artist. One such survivor. That is my goal.